![]() I’m also a big fan of Operator’s ‘Spread’ control. This will also allow us to create fade-ins and fade-outs.įor this step, I’ll map the ‘Attack Time’ to Macro 5 and the ‘Release Time’ to Macro 6. However, there are some more parameters I’d like to access with Macros for even more control.įirst off, it would be nice to map the noise oscillators Volume Attack and Release envelopes so we can shape the sound even further. That about does it for the filter controls. This gives us a more gradual slope on either side of the bandpass, which sounds a bit more full. Next, I’ll change the ‘Filter Slope’ from 24 (dB/octave) to 12 (dB/octave). This method works great for creating sweep and riser effects when moving the filter frequency cutoff Macro Control. I like the Bandpass filter for noise since it allows me to focus the energy within a certain range of frequencies. This value corresponds to the ‘Bandpass’ filter. After mapping this control, set the Macro value to 65. Let’s go ahead and map the ‘Filter Type’ chooser to Macro 4. Operator’s filter defaults to ‘Lowpass,’ but it might also be nice to have access to other filter types for more drastic tone shaping. Use the same mapping methods explained in the previous step. Let’s setup filter controls by mapping Operators ‘Frequency’ control to Macros 2 and the ‘Resonance’ control to Macro 3. By having quick access to a filter’s frequency cutoff and the resonance controls, we can shift the energy of the sound to create sweeping effects and movement with ease. Since white noise plays evenly across the whole frequency spectrum, using a filter really allows us to shape its tone. ![]() Now that we have a Macro Control to adjust levels, change its value to ‘0 dB’ so we can hear it play back at full volume. Macro Controls are assigned by right-clicking or Control-clicking on a parameter and then selecting ‘Map to Macro #’ from the context menu. We’ll map Operator’s master volume control to Macro 1. Right off the bat, let’s set up a Macro Control to adjust volume levels. White noise oscillators can sound reasonably annoying if they are too loud and/or are sustained continuously, with no movement whatsoever. Next, we should consider the types of Macro Controls to set up. This method will give us access to a set of mappable Macro controls and other powerful Rack features. You can also click on Operator and hit Command+G or Control+G to create an Instrument Rack. We can do this by right-clicking or Control-clicking on Operator’s title bar and selecting ‘Group’ from the context menu. We’ll need to ‘Group’ our synth into its own Instrument Rack to make use of Macro Controls. Step 1 | Setting up the Noise OscillatorĬhange Operator’s default oscillator (Oscillator A) to play ‘Noise White.’ For this demonstration, I will use Ableton Live’s Operator. First off, which synthesizer should we use? This can honestly be any synth plugin that you prefer. Let’s consider a few things before creating our Instrument Rack. You will also learn how to make use of the Instrument Rack’s powerful Macro controls to create white noise sounds that are instantly tweakable with MIDI-mapped controls or automation.Īs a bonus, we’ll include a free download for the Instrument Rack as well, so you can use it in your own productions!ĭownload “P-Lask White Noise Instrument Rack” P-Lask-White-Noise-Instrument-Rack.zip – Downloaded 2675 times – Setting up the White Noise Generator Rack In this guide, I’d like to walk you through the steps of creating an effective ‘White Noise Generator’ Instrument Rack for Ableton Live. White noise has several creative uses in music production and sound design from adding a layer of energy to a synthesized instrument sound (lead, bass, pad, etc.) to creating a sense of tension over an entire mix. Most synthesizers (hardware and software) will provide a noise oscillator for generating this type of sound. ![]() White noise is a type of audio signal with equal frequency energy that spans across the entire audible spectrum (roughly 20Hz to 20,000Hz). Free White Noise Instrument Rack download included! ICON Instructor Paul Laski explains how to enhance your mixes with white noise and demonstrates how to build a custom White Noise Generator Instrument Rack in Ableton Live. ![]()
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